Christmas tree ceramic crafts Manufacturers

The difference between traditional ceramics and modern ceramics, different technologies, styles, decors, are different. Modern ceramics are a continuation of traditional ceramics, modern ceramics add a lot of modern elements, so that the production process is greatly improved! But traditional ceramics also have their own essence!

Pure white glaze: The glaze color of Dehua white porcelain is different from that of other white porcelain in that it turns yellow in white. Its glaze color is a kind of pure white, which is divided into ivory white, scallion root white, lard white, children's red, etc., and is also called Chinese white by the French.

The fame of Dingyao white porcelain began in the Northern Song Dynasty, and the firing of Dingyao white porcelain began in the Tang Dynasty. The site of Dingyao Kiln is located in Quyangjian Magnetic Village, Hebei. The Dingyao white porcelain of the Tang Dynasty has similar characteristics to the Xingyao white porcelain, and the shapes include bowls, plates, trays, filling pots, basins, three-legged stoves and toys. Compared with the works of the Five Dynasties period, the edges of the vessels have thick lips, full shoulders, flat bottoms, and round cake-like solid bottoms, and some have jade bottoms. Most of the white porcelain of Tang dynasty Dingyao is similar to the white porcelain of Xingyao at that time, the fetal bone section is thinner, the fetal color is white, and there is another type of fetal bone is thicker, the section is relatively thick, but the sintering is better.

More than 10,000 years ago, in Zhangpingqi and Dong, western Fujian, Fujian ancestors made pottery from the soil taken from the earth under their feet, through the condensation of water, the fabrication of hands and the smelting of fire, completing a great attempt to create something from scratch.

Culture and art, the ceramic handicrafts themselves are basically handmade works, and each link from clay to molding is rich in many artistic elements, and ceramics themselves play an important role in our historical heritage, so we can say that bringing it is equivalent to bringing culture to our body

Do these geometric ornaments come from the totem worship of snakes by the ancestors of the Min people, so they imitate snake patterns? Or is it the description of the ripples of water that can be seen day by day by the Fujian people? There is no way to know today.