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Ceramics is a general term for pottery and porcelain. Ceramics is a kind of arts and crafts as well as folk culture. China is one of the world's several ancient civilizations with a long history, and has made many significant contributions to the progress and development of human society. The achievements in ceramic technology and art are of particular importance.

The fame of Dingyao white porcelain began in the Northern Song Dynasty, and the firing of Dingyao white porcelain began in the Tang Dynasty. The site of Dingyao Kiln is located in Quyangjian Magnetic Village, Hebei. The Dingyao white porcelain of the Tang Dynasty has similar characteristics to the Xingyao white porcelain, and the shapes include bowls, plates, trays, filling pots, basins, three-legged stoves and toys. Compared with the works of the Five Dynasties period, the edges of the vessels have thick lips, full shoulders, flat bottoms, and round cake-like solid bottoms, and some have jade bottoms. Most of the white porcelain of Tang dynasty Dingyao is similar to the white porcelain of Xingyao at that time, the fetal bone section is thinner, the fetal color is white, and there is another type of fetal bone is thicker, the section is relatively thick, but the sintering is better.

Dehua white porcelain because of its fine production, dense texture, crystal like jade, glaze moisturizing like fat, so it has "ivory white", "lard white", "goose down white" and other reputations, in China's white porcelain system has a unique style, in the history of ceramic development occupies an important position, in the international "oriental art" reputation.

There are many varieties of porcelain tea sets, the main ones are: celadon tea sets, white porcelain tea sets, black porcelain tea sets and colored porcelain sets. These tea utensils have had a glorious page in the history of the development of Chinese tea culture.

White-glazed porcelain is, it, by the time of the Sui Dynasty, it had already matured. In the Tang Dynasty, white glazed porcelain had a new development, and the whiteness of porcelain also reached more than 70%, close to the standard of modern high-grade fine porcelain, which laid a solid foundation for underglaze and overglaze porcelain.

Do these geometric ornaments come from the totem worship of snakes by the ancestors of the Min people, so they imitate snake patterns? Or is it the description of the ripples of water that can be seen day by day by the Fujian people? There is no way to know today.