Artistic ornaments Manufacturers

The fame of Dingyao white porcelain began in the Northern Song Dynasty, and the firing of Dingyao white porcelain began in the Tang Dynasty. The site of Dingyao Kiln is located in Quyangjian Magnetic Village, Hebei. The Dingyao white porcelain of the Tang Dynasty has similar characteristics to the Xingyao white porcelain, and the shapes include bowls, plates, trays, filling pots, basins, three-legged stoves and toys. Compared with the works of the Five Dynasties period, the edges of the vessels have thick lips, full shoulders, flat bottoms, and round cake-like solid bottoms, and some have jade bottoms. Most of the white porcelain of Tang dynasty Dingyao is similar to the white porcelain of Xingyao at that time, the fetal bone section is thinner, the fetal color is white, and there is another type of fetal bone is thicker, the section is relatively thick, but the sintering is better.

Xingyao white porcelain has a long history, also known as "Chinese white", and is the earliest white porcelain kiln site in China. One of the seven famous kilns in the Tang Dynasty, Xing Kiln, the ancestor of Chinese white porcelain. Xing Kiln was founded and fired in the late Northern Dynasty.

There are many varieties of porcelain tea sets, the main ones are: celadon tea sets, white porcelain tea sets, black porcelain tea sets and colored porcelain sets. These tea utensils have had a glorious page in the history of the development of Chinese tea culture.

Dehua white porcelain because of its fine production, dense texture, crystal like jade, glaze moisturizing like fat, so it has "ivory white", "lard white", "goose down white" and other reputations, in China's white porcelain system has a unique style, in the history of ceramic development occupies an important position, in the international "oriental art" reputation.

Blank pulling - the blank mud is placed on the reel (that is, on the wheel), and the power of the reel rotation is used to pull the blank mud into the desired shape with both hands, which is the traditional method of ceramics production in China, and this process is called billet. Discs, bowls and other round ware are formed by the blank drawing method.

Do these geometric ornaments come from the totem worship of snakes by the ancestors of the Min people, so they imitate snake patterns? Or is it the description of the ripples of water that can be seen day by day by the Fujian people? There is no way to know today.